It doesn’t matter what genre you shoot, someone always asks what gear you use. While I do believe that it’s the craft that is important, I do have a few favorite go-to lenses I always pull out of my bag.

So here are my favorite E-mount lenses for portraits, which I use with my Sony a7R III.

Tamron 28-75mm f/2.8

.mgl-tiles { display: none; } #mgl-gallery-634ee730467cb { margin: -5px; width: calc(100% + 10px); } #mgl-gallery-634ee730467cb .mgl-box { padding: 5px; } @media screen and (max-width: 768px) { #mgl-gallery-634ee730467cb { margin: -5px; width: calc(100% + 10px); } #mgl-gallery-634ee730467cb .mgl-box { padding: 5px; } } @media screen and (max-width: 460px) { #mgl-gallery-634ee730467cb { margin: -5px; width: calc(100% + 10px); } #mgl-gallery-634ee730467cb .mgl-box { padding: 5px; } }

This Tamron 28-75mm lens is my studio workhorse. I use it for still life, product shots and portraits. I can shoot anywhere from 28-75mm in my small studio. and shoot from f/2.8–f/14 for light painting.

It’s quick to focus and quiet. It’s small, compact and lightweight, which means I can hold it for ages without getting the whole dead arm thing from larger bulkier lenses.

CHECK THE LATEST PRICES AND AVAILABILITY HERE

Sony 50mm f/2.8 Macro

.mgl-tiles { display: none; } #mgl-gallery-634ee730475fa { margin: -5px; width: calc(100% + 10px); } #mgl-gallery-634ee730475fa .mgl-box { padding: 5px; } @media screen and (max-width: 768px) { #mgl-gallery-634ee730475fa { margin: -5px; width: calc(100% + 10px); } #mgl-gallery-634ee730475fa .mgl-box { padding: 5px; } } @media screen and (max-width: 460px) { #mgl-gallery-634ee730475fa { margin: -5px; width: calc(100% + 10px); } #mgl-gallery-634ee730475fa .mgl-box { padding: 5px; } }

I simple adore the Sony 50mm macro and use it all the time for macro, flowers, bugs and product shots. Most people prefer a 90mm or even a 105mm macro, but I must admit for in the studio, the 50mm is terrific.

The fact that it is really small and lightweight is an added bonus. I must admit it is a little bothersome to shoot bees as it gets me a little too close to the action, but in the studio I love it.

CHECK THE LATEST PRICES AND AVAILABILITY HERE

Tamron 70-300mm f/4.5-6.3

.mgl-tiles { display: none; } #mgl-gallery-634ee730483eb { margin: -5px; width: calc(100% + 10px); } #mgl-gallery-634ee730483eb .mgl-box { padding: 5px; } @media screen and (max-width: 768px) { #mgl-gallery-634ee730483eb { margin: -5px; width: calc(100% + 10px); } #mgl-gallery-634ee730483eb .mgl-box { padding: 5px; } } @media screen and (max-width: 460px) { #mgl-gallery-634ee730483eb { margin: -5px; width: calc(100% + 10px); } #mgl-gallery-634ee730483eb .mgl-box { padding: 5px; } }

Technically the Tamron 70-300mm lens is not a still life or even a macro lens as such. But it is a gorgeous lens to use. No, it does not have a wide-open aperture, like the two lenses I mentioned above. But add some extension tubes and give it a little room, and it can create macro magic — especially at 200mm or 300mm. That luscious creamy bokeh is divine!

CHECK THE LATEST PRICES AND AVAILABILITY HERE

Tell your story with the second annual Visual Storytelling Conference!

Experience four days of interactive, online training sessions featuring a range of educational content with experienced photographers and content creators. This free event kicks off with a series of technical boot camps to build essential skills, followed by live, online sessions on photography, video, business and social media. Join live from March 10-13, 2022!


Get your free ticket, or save on a VIP pass!

By admin

Leave a Reply

Your email address will not be published. Required fields are marked *